Today, I'm introducing James C. Simpson, the author of "Mit Den Augen Der Toten". It's a story that involves a bad place in a turbulent time, and some very cold weather. Phenomenally cold. If it can make me feel cold in Florida, that's cold!
Q. What gave you the idea for “'Mit Den Augen Der Toten”?
A. The concept for that story was a combination of things. It was based off of some actual firsthand accounts that were told to me by German soldiers who had fought in the east. World War 2 has always held a special fascination for me. It was the most epic time in history and had a very apocalyptic feeling. This real-life horror lends itself to supernatural terror very easily and I took it from there. You can sense an obvious Lovecraftian influence, but the isolation and the cold is based off of my own experiences in the wilderness and being alone. The winter is a great setting for horror because it really is a dead period. It's cold and bleak and it's little surprise that so many horror stories are set in these months.
Q. Your story was one of the best for conveying a true sense of cold. Did you research it, or is Pennsylvania that bad in the winter?
A. Pennsylvania has had some rough winters. No one wants to lose their power, but it is genuinely frightening to lose it in the winter. I've had that happen to me and it can be an arduous experience, especially if you don't have a generator!
The winter always creeps me out the most. All I see is dead trees and hear the whistling wind. No other time of the year does it feel more desperate and lonely.
No small wonder that
Frankenstein bookends in the Arctic.
Some of the accounts are based off of my experiences, but others were taken from what I heard. I guess the Russian winter was so extreme that it actually turned the oil into gelatin. That's pretty scary. Not to mention, it was so cold that the abandoned livestock would actually die from exposure and die where they stood...literally, like statues.
I have no love for the winter. I love Christmas, because I'm sentimental like that, but after that, I'm ready for the summer!
Q. How did you pick the genre/setting/era you write in?
A. I have a certain obsession with World War 2 and own several books on the subject. In fact, I have another story being published in a few months that is also set during that war and contains a supernatural element. The war in Europe was of particular interest because of the dimensions of the conflict. Hitler was in effect, the last of the conquerors and it's frightening to think how close he came to taking over the world. I remembered some of the stories I had been told and combined them with the concept of an ancient evil, relative to what the Third Reich was. I have to imagine that the forces of darkness must love something like the Nazis. The Third Reich actually were obsessed with the occult, so that's where that idea came from. I have to figure that is they knew of some supernatural power, they would undoubtedly have wanted to use it, crazy as that sounds.
I feel like this might even be a hint at something future I'll write about, perhaps something mythological. I've had a concept for a long time about Nazis uncovering an ancient evil in an attempt to derive power from it, only to have it consume them and it may return again in future stories, possibly even a novel.
Q. What was your favorite part to write in “Mit Den Augen Der Toten”?
A. The beginning on the Russian front was some of my creepiest stuff. That was certainly interesting to write, but I confess, I never mapped out the story much, I just let it flow. I wanted something strange and unnatural to be found and when it came time to write about the remains of the camp, I just imagined this elemental force that raises the dead and that was pretty strange. I had a dream about it and it was kind of unsettling, so I jotted it down and if it seems kind of whacked out, blame it on my dreams!
The toughest part when you write something like this is the ending. How do you properly conclude these things and make your readers remember them?
I really hope my last line wasn't too vague.
Q. What's your current project?
A. I have another story coming out in early 2014. That should be out in an anthology called “Luna's Children: Stranger Worlds.” I also have a few more writings on my plate, including another trip back to Nazi Germany, this time involving an ancient vampire, and I am trying to write a western horror, as that's another genre I am very fond of.
We look forward to seeing them!
Undead of Winter is available in
print and
Kindle format at Amazon. You can enjoy James' story there, along with other fine offerings from authors like Alex Azar, Stephanie Stamm, and D.J. Tyrer.
Jonah splits his time between studying law at the University of Oregon, performing stage magic, writing horror, and other disreputable pursuits. He is an avid historian, exotic poultry fancier, fossil hunter, and B-grade monster movie enthusiast.
Most of my stories take place in the 1920s. There’s a few reasons for that. It’s a really interesting era. On the one hand, you have the rise of radio as mass media, the Prohibition experiment, and women’s suffrage. On the other hand, you have the blight of the Klan, Tommy gun toting gangsters, and geopolitical upheaval. It’s the age of Lovecraft, Ford, Houdini, and Rockefeller. There are a lot of really colorful ideas to play with that are still relevant today.
