Showing posts with label guest post. Show all posts
Showing posts with label guest post. Show all posts

Sunday, August 20, 2023

Lynda Rees: 10 THINGS TO IMPROVE YOUR HOME’S APPEARANCE


FLIP OR FLOP, MURDER HOUSE

by Multi-Award-Winning Author Lynda Rees, The Murder Guru

Book Trailer Link:  From The Author’s Lips:  https://youtu.be/NR18LdpGhyg

Charli Owens’ murder house renovation is supposed to save her from financial ruin if it doesn’t kill her first. More than corpses pile up, forcing Charli and neighboring contractor Eli Lange together as they unravel a history of death, corruption, and deceit.

Available athttps://bit.ly/3pRjsVd


FRESH STARTS, DIRTY MONEY

by Multi-Award-Winning Author Lynda Rees, The Murder Guru

Book Trailer Link:  https://youtu.be/meBS99r-fF8

With a fresh MBA and fabulous job, Bree leaves her cheating husband and backwoods home for the big city. Snarky Police Chief Rex takes his tragic morning out on her when Bree blocks traffic in her first-ever rush hour traffic jam. A theft brings the two together. Their budding romance is interrupted when Bree is suspected in a brutal slaying. The killer wants something only Bree can give.

Available athttps://amzn.to/3KytxgL

These are a few simple, inexpensive things I learned during my more than thirty-six years as a Realtor about improving the appearance of your home. I hope you find them helpful.


10 THINGS TO IMPROVE YOUR HOME’S APPEARANCE
(okay, twelve things)



It’s surprising how a few simple, inexpensive steps can improve the appearance of your home. In most cases, the house you live in is your greatest asset. Whether you want it to look better for yourself, or your intention is to make it more appealing to potential buyers, try these twelve easy ways to make the best first impression possible.


1.      Prune hedges and shrubs in the front yard, especially those close to the house. Be sure no vegetation blocks windows. This makes the house appear immediately more modern, welcoming, and neater. It helps increase airflow when you open windows to bring in fresh air and makes it less appealing to intruders.

2.      Keep the lawn cut and trimmed. Rake weeds, dried leaves, and remove any fallen branches.

3.      Apply a thick coating of fresh mulch around hedges, bushes, trees, and plants. Not only does this help shrubbery hold needed moisture. It makes it easier to mow around them and assures passersby or potential buyers the home is well cared for.

4.      Wash the windows. This instantly gives the home a fresh, clean appearance. It helps enhance the inside atmosphere of the house.

5.      Clean the garage doors and shutters. If any paint is peeling or discolored, apply a fresh coat.

6.      Wash the front door and if needed, apply a new coat of paint in an inviting, modern color that accentuates the style of the house.

7.      Add a splash of color. If you’re up to it, plant a flowerbed of fresh blossoms. If not, colorful pot with brilliant blooms will do to give the house an inviting appearance.

8.      New, modern light fixtures for the front of the house (door, garage entrance) give the property an up-to-date impression.

9.      If you don’t upgrade lighting, at least wash the fixtures so they are clean and bug-free inside and out.

10.  Swap out old light bulbs for new, brighter ones.

11.  Remove clutter, toys, or tools from the front. Store them away in a basement, shed, or garage; or put them neatly inside a storage container in the back yard.

12.   Purchase a new, shoe-scrubbing welcome mat.


Multi-genre author, Lynda Rees, the Murder Guru, brings you the best in mystery, suspense, romance, non-fiction, and more. This free-spirited adventurer and world traveler has a diverse background that brings rare perspective to her writing. Appalachian-born, daughter of a coal miner, Lynda is part Cherokee Indian. Her thriving, goal-oriented work ethic results in workaholic tendencies. A love affair with books, mystery, and American history stems from being immersed in the Mob’s reign in Northern Kentucky when the area prospered as a mecca for gambling and sin.

Be sure to get your copies of Lynda Rees’s latest mystery novels, Flip or Flop, Murder House and Fresh Starts, Dirty Money, available on Amazon, Barnes & Noble, Apple, KOBO/WALMART, or wherever you buy books. If they’re not in stock at your local library or bookseller, ask. They’ll most likely stock them. Ask for them today!

If you want a signed copy, reach out to the author at lyndareesauthor@gmail.com, SUBJECT: SIGNED COPY.

Lynda would love to hear from you and share the latest, greatest news with you. Contact Lynda at her website, by email or other links below, and become a VIP to get 2 FREE eBooks.

Thursday, October 27, 2022

Guest Post: Erica Miner, Redone, Re-Published, and Rebooted

What is it like to have a series redone, re-published, and rebooted? This was a whole new experience for mystery writer Erica Miner, and the journey was an unexpected one.

 

I have often thought that having a book released is akin to giving birth. As writers, we first conceive of the idea. Then comes the gestation period, where the concept grows, changes, becomes an ever-better version of itself. Rewrites follow rewrites, edits upon edits. After a very long, difficult labor, your baby novel is born. Whew, what a process!

 

For those of us who were unfortunate enough to go through that experience in the middle of the pandemic, the journey became even more challenging. For me, it took an unexpected turn.

 

My original concept was to write a murder mystery that took place at the Metropolitan Opera in New York, where I had been a violinist for 21 years. I found a traditional publisher and drew upon my experiences at the Met, adding large doses of my wicked imagination, and Murder in the Pit was born. Readers requested a sequel, and I delivered one that took place at Santa Fe Opera. My “Opera Mystery” series was created. San Francisco Opera asked me to write another that took place at that venerable institution, and another sequel was published.

 

Then, the pandemic happened.

 

The San Francisco novel languished in e-book only, with no print version. I was at a loss. My Puget Sound Sisters in Crime colleagues sent me to the wonderful local organization, Washington Lawyers for the Arts, who advised me to get back my rights and find another publisher.

 

I lucked out. Level Best Books offered me a contract to re-publish all three books, with different titles and covers. I then went to work adding changes: new plot points, updates and more. Et voilà: the first book in the series is now about to be reborn as Aria for Murder, releasing Oct. 28. New sequels will be published in 2023 and 2024. That’s what I call great family planning!

Violinist turned author ERICA MINER now has a multi-faceted career as an award-winning author, screenwriter, journalist and lecturer.

Erica’s lectures, seminars and workshops have received kudos throughout California and the Pacific Northwest, and she has won top ratings as a special lecturer for Royal Caribbean Cruise Lines. An active contributor to OperaPulse.com and LAOpus.com, she also contributed a monthly Power of Journaling article series for the National Association of Baby Boomer Women newsletter. Other writings have appeared in Vision Magazine, WORD San Diego, Istanbul Our City, and numerous E-zines. Erica’s lecture topics include “The Art of Self- Re-invention,” “Journaling: The Write Way to Write Fiction,” “Solving the Mystery of Mystery Writing,” and “Opera Meets Hollywood.” Details about Erica’s novels, screenplays and lectures can be found on her website.

Sign up for Erica's newsletter at https://ericaminer.com/email_signup.php 


 


ARIA FOR MURDER

 

 

Prologue

 

Chi eÌ morto, voi, o il vecchio?

Che domanda da bestia! Il vecchio.

Who’s dead, you or the old man?

What an idiotic question! The old man.

—Mozart, Don Giovanni, Act I

 

 

Collateral damage. Sometimes it just can’t be avoided.

 

That was what his partner had told him. When you’re trying to kill someone, other people can get in the way. It’s not planned. It just happens. Though the Metropolitan Opera’s orchestra pit was the largest in the world, when the orchestration of an opera was vast, as in Wagner or Strauss, things could get quite crowded for the one hundred or so musicians squeezed together there. Tonight’s Verdi was no exception. Grand opera at its loftiest, with plenty of brass, extra strings, and the like. He would do his best to hit his target precisely. But it wasn’t an exact science. And if, under pressure, he was slightly off, well...

 

Tanto peggio, as they say in French.

 

He chortled to himself. Everyone in the Met knew “tanto peggio” was Italian, not French.

 

He salivated with anticipation as he lovingly cleaned his VAL Russian sniper rifle with its special bronze-bristled brush, and oiled and lubricated the ammunition chamber with the fine-spray One Shot gun cleaner and a cotton swab. He picked up the last tiny fragments of powder residue with an alcohol patch threaded through a needle attached to the brush. Then he polished the entire instrument with one of his special-order McAlister microfiber gun cleaning cloths.

 

If you look after your firearm, when the time comes, it will look after you.

 

And what better time for an assassination than opening night at the Met?

 

Copyright © 2022, Erica Miner



Book Details:

Genre: Mystery

Publisher: ‎Level Best Books (October 28, 2022)

Language: ‎ English

Paperback: ‎ 254 pages

ISBN-10: ‎ 1685121985

ISBN-13: ‎ 978-1685121983

Item Weight: ‎ 13.4 ounces

Dimensions: ‎ 6 x 0.58 x 9 inches

Pre-orders at: https://www.amazon.com/Aria-Murder-Julia-Kogan-Mystery/dp/1685121985/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=&sr= 

Wednesday, September 28, 2022

Guest Post: Aaron Drown

 



As a writer whose actual living is made as a freelance graphic designer, the role of book design in independent publishing is a topic near and dear. I’ve given workshops on the key importance design considerations have for small presses and self-publishers, arguing that to be taken seriously in the marketplace it’s vital not only to have a story worth reading, but to put out a product that looks like it belongs on the same shelf as the Kings, Grishams, Robertses, and Graftons.

I believe the presentation of a work is an extension of the work itself, much like an album jacket augments the music contained inside. In that regard I’ve been very fortunate to have such an indulgent (and patient) partner in Seventh Star Press, as they graciously allow me the freedom to design my own book covers. Though it may be just as fair to say what holds true for a lawyer who represents themselves also goes for a writer who designs their cover art, it’s that extension of the writing—the visual lure that will hopefully grab attention and compel a closer inspection and a thumbing-through—that I like to believe as both author and cover artist I’m especially positioned to make. Of course, it may be even fairer to say that in the same way doctors make the worst patients, designing for a graphic designer can easily become an exercise in exasperation so it’s a lot less headache for my publisher just to let me do the thing myself.

My most recent book, a short story collection called The Gods Must Clearly Smile, features cover art that I also created and I think, if I may be forgiven the conceit, makes for a good example of that close relationship between packaging and content. The title of the collection comes from a quote by Aristotle, “If some animals are good at hunting and others are suitable for hunting, them the gods must clearly smile on hunting.” And it’s that theme of hunter and hunted that caught my attention and pricked my sense for the wry and my sideways way of seeing the world.

The front cover depicts a quaint little cottage floating on an island of tranquility surrounded by cheerful blue sky and happy little clouds worthy of Bob Ross. The typography, too, lends to the congeniality. In the upper and lower left corners, though, hints of darkness intrude—tiny indications that all might not be so carefree and untroubled. As one turns over to the back, the reality of the scene is revealed in the form of a jagged-toothed monster opening wide its maw in preparation to devour our friends in the cottage—a star-filled beast comprised of the universe itself.

The stories in The Gods Must Clearly Smile run the spectrum from the Old West to futuristic science fiction, and the thread that wends its way through each and stitches them together into a whole is the central theme that sometimes we are the hunter, sometimes we are the hunted, and no matter how serene a given moment may seem, the next moment has every bit the potential to reveal the monster that’s been stalking you the entire time. It’s a tongue-in-cheek metaphor—promise—meant to be amusing and ironic rather than pessimistic, but it’s a concept that I felt I could bring to fruition visually and convey a sense of what awaits the reader inside.

I’d welcome hearing whether I was successful.


Wednesday, July 13, 2022

Debra H. Goldstein: Balancing Humor in Murder Mysteries

Blood, gore, sex, violence, shady characters, and, of course, a dead body, are givens for murder mysteries – except when the mystery is a cozy. Then, the blood, sex, gore, and violence are left off the page. Instead, the plot and characters must be complex enough to engage the reader in wanting to know whodunit and it helps to add a bit of humor.

Usually, a cozy mystery involves a small town or confined setting, an amateur sleuth, quirky sidekick characters, a job or interest that is craft or cooking/baking related, a cat or occasionally a dog, and the aforementioned lack of blood, gore, sex, and violence on the page. Unlike the building sense of tension in suspense or thrillers, humor is used as a means of easing the reader from high pitched moments. It also often helps readers identify the characters.

 

When one thinks of humor, one thinks funny; however, in a cozy mystery rather than being an “ha, ha” moment, the humor may come across softly from the way a character uses a phrase, dresses, gives another character “that look,” or behaves. In my Sarah Blair books, I incorporate humor in several diverse ways.

 

Sarah Blair is not an expert at cooking, baking, or crafts. She is a woman who is more frightened of the kitchen than she is of murder. When pressed to prepare a recipe (something all cozy mysteries must include), she uses premade ingredients. In One Taste Too Many, the first in the series, Sarah prepares Jell-O in a Can from Jell-O and Dole pineapple rings. Even though the end product is quite nice to look at, the name and concept of the recipe provokes a chuckle.



In newly released Five Belles Too Many, the craziness that occurs behind the scenes of a reality TV show, where contestants are vying to win the perfect Southern Wedding, provides a framework for laughable moments. Because the show’s taping is being done in Alabama, Southern stereotypes are a basis for various aspects of humor.

 

The characters create the first dimension of humor. Of the five finalist couples, two represent the famous football rivalry between the University of Alabama and Auburn University; one matches the stereotypical thoughts often expressed about the South (think Jethro and Elly Mae from The Beverly Hillbillies); one, simply to mix up expectations, is humorous because they want a Day of the Dead wedding; and, the final couple, Sarah’s mother, Maybelle, and her beau, George, represent those over sixty who are unfiltered but wise. Maybelle’s observations and understanding of why George and she are finalists create several outright and occasionally bittersweet instances of humor.

 

The idea that Sarah, who is twenty-eight, must be her mother’s chaperone twists the expected dynamic of chaperoning. The fact that the TV show is forcing the contestants and chaperones to stay at the bed and breakfast owned by Sarah’s greatest nemesis, Jane, establishes conflict for the characters but humor for the readers. Although it isn’t funny when the show’s producer is killed and Sarah finds Jane leaning over the body, Sarah’s inner conflict between whether to help Jane or not goes to the root of her characterization, but also offers me the ability to put funny thoughts in Sarah’s head.

 

While the cozy set-up provides numerous moments for humor, it is important that these scenes not over-shadow the whodunit. Cozy readers want a fast paced, fun book, but too many “funny” scenes can easily become monotonous and dull. That’s why there must be a balance between how much of the book is devoted to set-up, the crime, the investigation, serious moments, and things that make the reader chuckle.

 

For a chance to win a copy of Five Belles Too Many, tell me, what makes you laugh when you read a cozy and whether the Five Belles cover telegraphs that there will be humor in the book?

Five Belles Too Many

When Sarah Blair’s mother is a finalist to win the perfect Southern Wedding in a reality TV show competition, Sarah is pressed into service as Mother Maybelle’s chaperone. After the show’s producer is found dead, with Sarah’s greatest nemesis kneeling by the body, Sarah must find the true killer before any other contestants or crew are permanently eliminated 

Buy or gift a copy of Five Belles Too Many from: 

Amazon 

Barnes & Noble

Your favorite indie bookstore.


Judge Debra H. Goldstein writes Kensington’s Sarah Blair mystery series (Four Cuts Too Many, Three Treats Too Many, Two Bites Too Many, and One Taste Too Many). Her short stories, which have been named Agatha, Anthony, and Derringer finalists, have appeared in numerous periodicals and anthologies including Alfred Hitchcock Mystery Magazine, Black Cat Mystery Magazine, Mystery Weekly, Malice Domestic Murder Most Edible, Masthead, and Jukes & Tonks. Debra served on the national boards of Sisters in Crime and Mystery Writers of America and was president of the Guppy and SEMWA chapters. Find out more about Debra at https://www.DebraHGoldstein.com .

You can also connect with Debra at:  

Facebook: https://www.facebook.com/DebraHGoldsteinAuthor

Twitter: @DebraHGoldstein 

Instagram: https://www.instagram.com/debrahgoldstein/ 

Bookbub: https://www.bookbub.com/profile/debra-h-goldstein


Friday, July 08, 2022

Lynn Slaughter: Beyond the External Plot - What's Your Book Really About?

After a long career as a professional dancer and dance educator, Lynn Slaughter earned her MFA in Writing Popular Fiction from Seton Hill University. She writes coming- of- age romantic mysteries and is the author of the newly released Deadly Setup. She is also the author of: Leisha’s Song, a Moonbeam Children’s Book Awards bronze medalist, Agatha nominee, and Imadjinn Finalist; While I Danced, an EPIC finalist; and It Should Have Been You, a Silver Falchion finalist. She lives in Louisville, Kentucky, where she’s at work on her next novel and serves as the President of Derby Rotten Scoundrels, the Ohio River Valley chapter of Sisters in Crime.

Author: 
Leisha's Song (Fire and Ice/Melange Books, 2021): Nominee, 2021 Agatha Award for Best Children's/YA Mystery Novel; Moonbeam Children's Book Awards Bronze Medalist, Imadjinn Finalist for Best YA Novel
While I Danced (Write Words), EPIC Finalist
It Should Have Been You (Page Street), Silver Falchion Finalist
Deadly Setup (forthcoming, Fire and Ice/Melange Books, 2022)

When folks ask me what my newly released novel, DEADLY SETUP, is about, I usually say something like, “A teenager’s life implodes when she gets arrested and goes on trial for the murder of her mother’s fiancé.”

Is that what my book is really about? Yes and no. Yes, that really is what happens to seventeen-year-old Samantha (Sam), the daughter of a widowed New England heiress. As the title indicates, she’s been set up and fights to prove her innocence with the help of her boyfriend’s dad, an ex-homicide cop.

Those are the basics of the external plot. But digging deeper, what the novel is really about is a troubled mother-daughter relationship, the dangers of parentification of a child, the power of the arts to heal and comfort, and the need to build an intentional family when your own family is unwilling or unable to be emotionally available.

Let me explain. Sam was very close to her father who died of brain cancer when she was twelve. On his death bed, he told Sam to “take care of your mother for me.” His intentions may have been good, but this was a terrible thing to do to a twelve-year-old girl who was in desperate need of parenting herself and was not equipped to take on a parenting role toward her mother. 

Furthermore, Sam’s mother resents her daughter’s efforts to weigh in on her impulsive choices. A self-absorbed romance novelist, she has a habit of looking for her own “happily ever after” with wildly inappropriate men. As the novel opens, she announces her intention to marry one of them, a financial advisor who’s eager to take control of her money and whose first heiress wife died under suspicious circumstances. She’s not interested in Sam’s pleas to exercise caution. In fact, listening to Sam about anything doesn’t even register on her priority list. 

Sam finds solace and comfort in playing the piano and her father left her with a great appreciation for the American Songbook. She loves playing standards and accompanying her high school’s choirs and musical rehearsals. 

She also realizes that the people who really care about her may lie outside her family. This is driven home to her when she’s accused of murder and her family’s longtime housekeeper, her boyfriend, his family, her close friends, and her favorite teacher don’t doubt her innocence for a moment, despite the mountain of circumstantial evidence. They rally behind her and their emotional support buoys her at a time when her own mother refuses to believe her protestations of innocence.

Sometimes, I think I’m writing about the same issues over and over: the damage dysfunctional families do to young people and the healing power of involvement in the arts. In LEISHA’S SONG, Leisha is an aspiring classical singer whose grandfather, the only parent she’s ever known, has an entire script laid out for her life—never mind what her passions and interests are. And in IT SHOULD HAVE BEEN YOU, Clara has always been more or less the forgotten child in a family where her piano prodigy twin has sucked up her parents’ attention. As for WHILE I DANCED, Cass, an aspiring ballet dancer, not only must deal with her single parent father’s lack of enthusiasm about her dancing, but with the fallout from the revelation of a terrible secret he’s kept from her about her mother.

Yet, if you asked me what these novels were about, I’d most likely respond with details about the external plot: 

- Leisha’s beloved vocal coach at boarding school disappears, and she puts her own life in danger trying to find her.

- Five months after her twin’s murder, Clara starts receiving threatening messages sent to the inbox of the advice column she ghostwrites for her high school’s newspaper. 

- Cass is betrayed by her best friend and boyfriend and then, in the midst of a challenging summer dance workshop and a new romance, makes a startling discovery that leaves her wondering if she even wants to continue dancing.

So, the next time you ask a writer what her novel is about, my advice is to ask a follow-up question: What’s it really about? Chances are you’ll get a different, and in many ways more significant, answer.







Thursday, June 09, 2022

Gwen Mayo Guest Post: 1920s Food in Florida

In the 1920’s, Florida was trying to promote itself as the Sunshine State, and citrus as liquid sunshine. While northern states were blanketed in snow, Florida developers provided crates of oranges as snack food for prospective customers. Hotels had complimentary orange and grapefruit juice. Menus touted key lime pie, sour orange pie, orange and lemon cakes, and icy glasses of lemonade. Citrus was everywhere and seemed to be in most Florida recipes. Our intrepid snowbirds sampled a wide variety of citrus fruits on their journey. However, it is an entirely different Floridian food that takes center stage on this trip.

The Mullet Express is a train devoted to transporting large quantities of mullet, a fish that was a Florida staple in the nineteenth and early twentieth century. Originally, the mullets were smoked to preserve them on their journey and packed into wooden barrels.

At the time of Murder on the Mullet Express, smoked mullet spread is still a favorite dish, one Professor Percival Pettijohn is eager to try on his first night in Homosassa. He and his companions, Cornelia Pettijohn and Teddy Lawless, share a plate of it with crackers as they dine under the stars at Riverside Lodge.

Dinner at the lodge is quite an event. The lodge caters to sportsmen, and diners have the option of having their catch prepared and served. For guests who are not hunters or fishermen, there is still plenty of local game, waterfowl, and seafood on the menu. The professor sticks with seafood, ordering the red snapper. Cornelia and Teddy opt for the roast duck with marmalade.  

Prohibition limits the beverages to lemonade or sweat tea, but Teddy manages to add a little of her “medicinal alcohol” to her glass. In fact, Teddy proves to be quite good at supplementing her supply of “medicine” with cocktails and a little spiked punch. As a result, most of her breakfasts consist of dry toast with a bag of ice on the side. At one point, she laments that she is a delicate flower, and Cornelia points out that she might not be as delicate if she didn’t get potted every night.

The portability of food is also important to the snowbirds. Many of Florida’s visitors in the early twentieth century were referred to as ‘Tin Can Tourists’ because of the canned food they heated over campfires. The Three Snowbirds don’t need to camp, but Teddy keeps a tin of Oreo cookies for snacking. Wrapped sandwiches also prove convenient for frequent trips to the jail after the professor is confined there. When supplies run short, there are roadside restaurants available, like the place offering frankfurters and fresh seafood (based on a photo I saw while researching the story). 


Gwen Mayo is passionate about blending the colorful history of her native Kentucky with her love for mystery fiction. She currently lives and writes in Safety Harbor, Florida, but grew up in a large Irish family in the hills of Eastern Kentucky. She is the author of the Nessa Donnelly Mysteries, set in Kentucky during the Decades of Discord, and the co-author of the Three Snowbirds series with Sarah Glenn.

Tuesday, April 12, 2022

Michele Drier: SNAP - When The News Changes Your Narrative

Why did I subscribe to Reuters and the BBC to write a novel?

In 2011 I was euphoric. I’d just sold my first book, a mystery, to a small press and felt I was on the road to being a novelist—a long-held aspiration.

My daughter and her husband took me out to dinner, and he asked, “Why don’t you write vampire novels?”

I thought he must be crazy. I’d never even read a vampire novel.

Flash forward to 2021. I now had sixteen books published—five mysteries, a stand-alone thriller and ten, count ‘em ten, books in The Kandesky Vampire Chronicles. And soon the world was in the grip of a pandemic disease.

Yes, I took his advice and began what was intended to be a trilogy of stories about 21st Century Southern California career women getting involved with 500-year-old Hungarian vampires. The Kandeskys were alluring and stunning, both the men and women. Their looks mesmerized and drew people to them, a tactic they used to hunt prey until they discovered making money was easier. They established a cadre of donors who provided blood, built their businesses and never looked back.

Now the family is one of the richest in the world and their flagship business is SNAP, an international celebrity gossip empire with nightly TV shows and a weekly magazine. And to keep this empire alive and growing, they need peace in the world. Peace to give people time for earning and spending money. Peace to report on celebrities having affairs, buying houses, getting messy divorces, suing one another.

Two of the senior members of the family live in Kyiv, where they hoped to expand their Eastern European influence. This stopped in 2014 when Russia attacked and took control of Crimea, an area of Ukraine the Kandeskys considered their own backyard, forcing the family to align itself with the West. When the COVID-19 pandemic hit and people began sequestering themselves, the coverage of celebrities began to dry up. Countries were pointing fingers at each other as the cause of the virus and the basis of its spread. The first reported cases were in China, and research labs around the world geared up to develop and produce vaccines. Russia, China, India, the EU nations and the US all rushed vaccines onto the market, competing with one another to make windfall profits.

I was on the cusp of writing the 11th book in the Kandesky saga and decided I’d have SNAP begin a disinformation campaign, pointing a finger at Russia for developing the virus, then trying to sell its own vaccine as a way to make hard currency.

Even though my novels are fiction, they all have an undercurrent of reality, so I began to follow both the pandemic’s and Russia’s movements. Putin began massing troops on the border with Ukraine, and this was a direct threat to the Kandeskys' empire.

Two years before, in the tenth Kandesky book, SNAP: Red Bear Rising, I followed the Russian incursion into the Sea of Azov, the border between Crimea and Russia and now I was back, reading daily news stories about the world’s reactions to further Russian aggression.

The EU countries and NATO were understandably nervous and  upset, the US was still trying to figure out what role Russia played in the election of 2016 and the balance of power in the world, always on a hair-breadth basis, was threatening to roll over into World War III.

How would this play out? How much factual information should I, could I include? Although Jean-Louis Kandesky, half-a-millennium-old Hungarian vampire and Maxie, his 21st Century SoCal wife, set up shop in Brussels to meet with the EU and NATO, what influence could they possibly have?

I generally write two books a year, but I’ve been working on SNAP: Pandemic Games for almost a year now. Every time I feel I’m close to wrapping up the story something new happens with the pandemic or with Putin’s push against Ukraine.

One week I read comments from Polish representatives and had to go back and rewrite a chapter to include their concerns and their strong plea to NATO to take action. Both NATO and the EU are pulled into the news and the plot  because Putin’s topmost demand is that NATO refuse Ukraine’s membership.

Watching the slow and steady build-up of Russian troops, the actions of Belarus, Russia’s only European ally, and crack-down on dissidents has stopped me. What should I include? What is going to sound believable? What are the motivations?

In the end, I’m finishing the book and it will end before the actual invasion of Ukraine, but week by week, as I read the stories from across Europe, I stopped writing to assess the plot.

My critique group believes I’m prescient, predicting the ultimate events, including the invasion.

In truth, I’m just a storyteller, concocting how far I can go to stretch the fiction before reality overtakes it.


Michele Drier is a fifth generation Californian. She is the past president of Capitol Crimes, a Sisters in Crime chapter, the Guppies chapter of Sisters in Crime, and co-chaired Bouchercon 2020. Michele Drier spent better than 20 years as a reporter and editor at California daily newspapers. She writes traditional mysteries (two series) and paranormal romance (a 10-book series, The Kandesky Vampire Chronicles) as well as a medical thriller, Ashes of Memories. Her website is micheledrier.me .

Side note from Sarah: I have a review of SNAP: The World Unfolds for the interested.

Saturday, April 09, 2022

Gwen Mayo: Confessions of a History Junkie


One of the definitions of a “junkie” is a person who gets an unusual amount of pleasure from or has an unusual amount of interest in something. For me, that something is history. Thanks to the Internet, I can indulge my passion any time I please. I have a list of sites longer than my arm, but as wonderful as the web can be, nothing replaces an up close look into the past. 

My spouse and I have spent many happy days looking for towns that no longer exist. Some of those towns wind up in stories or blog posts. My historical wandering brought the White House cookbook from the Lincoln administration into my possession. A trip to the Walter Reed Medical Center Museum let me get a good look at the Civil War Union Army Field Surgery Kit. That piece of history turned up in one of my Nessa Donnelly mysteries. I also spent a lovely summer researching the history of Kentucky bourbon.

I know history isn’t considered a sexy topic, but it can be. Lexington, Kentucky has a historic home that was once owned by Mary Todd Lincoln’s family. The same house was later Jenny Hill’s Bawdyhouse. Belle Brezing, Lexington’s most famous madam, lived there for a couple of years before buying her own house. 

Still, when I talk about my favorite pastime I get a lot of eye-rolls. Kids who hated memorizing dates for a history test often grow up to be adults who think history is boring. Why wouldn’t they? Their only exposure to history has been a bunch of dull facts delivered by a teacher with no real interest in the subject.

History, real history, isn’t the dry facts of an event; it is a group of individual stories that narrow an event to only one outcome. History is made up of hundreds of ‘what if’ stories. For instance, would the outcome of WWII have been different if Hitler had not taken a sleeping pill before the Allies landed on Normandy’s beaches? The question opens a whole range of alternate histories. Our reality is that Hitler slept until noon, and Field Marshall Rundstedt did not get the support he requested. The history of the world may have turned on a sleeping pill.


Gwen Mayo is passionate about blending the colorful history of her native Kentucky with her love for mystery fiction. She currently lives and writes in Safety Harbor, Florida, but grew up in a large Irish family in the hills of Eastern Kentucky.

Gwen is a graduate of the University of Kentucky, an active member of the Short Mystery Fiction Society, and a member of the Derby Rotten Scoundrels Chapter of Sisters in Crime, the Florida Gulf Coast SinC and the online SinC GUPPIES Chapter. Her stories have appeared in anthologies, in webzines, and in micro-fiction collections.

Most interesting fact: Gwen was a brakeman and railroad engineer from 1983 - 1987.


Wednesday, April 06, 2022

Judy Alter: The Outrageous Cozy

Someone on a listserv recently suggested a new sub-genre for cozy mysteries: the noir cozy. Sure, it’s tongue-in-cheek because the two terms almost cancel each other out. But new sub-genres in mystery keep popping up. The other day I read an author’s suggestion of a Feminine Noir Thriller category.

Because “the mystery” as a literary genre is so varied, no one definition fits, so over the years sub-genres have developed: the traditional mystery (for which everyone keeps trying without success to find a definitive description), the sci-fi mystery, the thriller, the hard-boiled/noir, the police procedural, the historical, and of course the cozy. Sometimes—frequently—the lines between blur. For instance, is the romantic suspense novel a genre of its own or simply suspense with a bit of romance added? Is amateur sleuth a category or part of the cozy?

When talk of the cozy comes up—amateur sleuth, no blood, gore, or sex, limited world such as a small town—I always think of the Murder, She Wrote series, quite possibly the longest-running cozy series. Today, so capably written by Terrie Moran, the series is up to something like Number Fifty-Five. Some critics and readers think of it as the perfect example of mysteries that require willing suspension of disbelief on the part of the reader: What small town has that many murders? It’s a wonder anyone is left in Cabot Cove. Yet Jessica Fletcher goes merrily along, solving murders in her beloved hometown as well as exotic destinations. And we talk about the Cabot Cove Syndrome.

But I would suggest there’s a new kind of cozy coming into the market—the outrageous cozy. The reader is really asked to suspend disbelief with these books. Think for instance of Julie Mulhern’s Country Club Murders Series. Wealthy and widowed, artist Ellison Russell has probably stumbled over close to fifty bodies in fourteen books. She finds them in swimming pools, the hostas in her front yard, the country club parking lot, almost anywhere she goes. All these murders play out against the decline of country club social ways in the 1980s, with Ellison dealing with her domineering mother who insists on pearls, white gloves, and the “right way” to do things, her rebellious teen daughter, the cop she’s fallen in love with, and her oh-so-capable and almost psychic housekeeper. None of this would ever happen in real life, but it makes wonderful reading. You just have to suspend that disbelief you were unfortunately taught in school.

And then there’s Finley Donovan Is Killing It by Elle Cosimano. A struggling novelist and always-broke single mom, at the mercy of her selfish and crooked ex, Finlay is overheard talking about the plot of her novel that’s stalled, and she’s mistaken for a hit woman. Lured by an enormous pay-out, she goes along with the charade, thinking she can bow out at any time. Of course, that’s not as easy as it sounds, and she and her sidekick/nanny/housekeeper soon are embroiled in a string of adventures from getting caught masquerading in a shady bar to a remote grave site in the country. They come too close to that huge grave for comfort. It’s all outrageous—and witty and clever. Second book in the series, Finley Donovan Knocks ‘Em Dead, finds Finlay involved with soccer moms who are ought to kill her ex. He’s a good dad, she hates him, but she must keep him alive. The hilarity just keeps coming.

Somewhat brazenly, I even think my current series, Irene in Chicago Culinary Mysteries, might fit in this new category. There aren’t that many bodies, but there is an outrageous character. Irene Foxglove (a chef with the name of a poisonous plant) is a TV chef who defines the term “diva.” Her gofer, Henny James, tells the stories of the murder and mayhem that surround Irene whose behavior is so impulsive, so demanding, so difficult that any self-respecting criminal would have offed her long ago. After one book, Irene rekindles her love affair with the fabulously wealthy French father of her only child and spends her time jetting back and forth across the pond in his private jet, bringing trouble every time she returns to Chicago. Henny goes from amused exasperation to frustration to reminding herself she really is fond of her favorite diva.

I don’t think outrageous cozies will ever become a big trend, but they’re fun to read—and I’m having fun writing one.


About Judy Alter

After an established career writing historical fiction about women of the nineteenth-century American West, Judy Alter turned her attention to contemporary cozy mysteries. When her publisher went out of business, she became an indie publisher and barely looked back. Her current series, Irene in Chicago Culinary Mysteries, features a TV diva chef and her gofer, an ambitious young cook from Texas.

Retired as the director of a small academic press, Judy is an active member of Sisters in Crime, Guppies, Women Writing the West, and the Texas Institute of Letters. When she is not writing, she is busy with seven grandchildren and a lively poodle/border collie cross. Her avocation is cooking, and she is the author of Cooking My Way Through Life with Kids and Books, Gourmet on a Hot Plate, and Texas is Chili Country, all available from Amazon

Friday, April 01, 2022

Guest Post, Darlene Dziomba: New Career in My Fifties

Darlene Dziomba, author of the Lily Dreyfus Mystery series, enriches the workdays of coworkers at the University of Pennsylvania by finding humor in every situation. She is a dedicated volunteer at the Animal Welfare Association, walking dogs and cleaning kennels, and lives in New Jersey.

Learn more about her at https://readdarlene.com/

Set in a small town in New Jersey, Clues from the Canines combines witty dialogue with tension and intrigue. Lily, the Adoption Coordinator at the Forever Friends Animal Shelter, is stunned by the news that her physically fit, former Marine boyfriend is dead. When the police rule the death a homicide, Lily, spurred on by grief, resolves to sniff out the killer. She gathers her pack, both human and canine, to point police to the perpetrator. The canine pack competes for the alpha position, their owner’s attention, and extra treats, while the human pack doggedly seeks out justice.



I have attended the mystery fan conference Bouchercon eleven times. The tenth one, held in Toronto, inspired me to write a mystery of my own. I listened to a panel of writers who each had a protagonist in a dog-related profession: dog groomer, dog walker, pet sitter. It occurred to me that I had never read a mystery where the protagonist worked in an animal shelter. I was volunteering at the Animal Welfare Association, walking dogs and cleaning. I wondered if I could write a book with a protagonist who works in an animal shelter. My journey to published author began. The expression, “You are never too old to learn,” has propelled me through my journey. I was fifty-one when I conceived the idea, and I will be fifty-five when I publish the book.

My career is in a field where no one logically expects a published author to emerge. I’ve spent thirty-two years working in various fiscal operations and financial planning positions at the University of Pennsylvania. I reached a point in this career where I had become stagnant. The work was not changing, and I was competing for new jobs with younger, vibrant, lower-paid individuals. Finance had passed on me, and I was ecstatic to have an idea to pursue.

I drew on my ability to analyze data and logically draw conclusions in developing my book. Writers fall into two categories: plotters or pantsers. I am a plotter. My initial mechanism was paper. I started simply with: What is the basic plot? Who is my protagonist? Who is my villain? My simple plotting burgeoned until the wall in my guest room was a wallpaper of loose-leaf sheets. I had a column for each day in the story. I connected theories with arrows. I noted things I needed to add on Post-its. This was not sustainable.

I took a course called “Plot Thickeners” with Simon Wood. This brilliant man plots his books in, drum roll please, spreadsheets. I don’t want to brag, but I was the star pupil. For me, a spreadsheet was about numbers, formulas, and macros. In my financial job, it is. In my writing, spreadsheets serve an entirely different purpose. There are formulas. For example, the percentage of scenes of each subplot to the main plot and the percentage of scenes in which the protagonist appears. The bulk of the matter, though, is verbal content. It is organized in neatly constructed blocks that can be edited and sized depending on the content. Now, I rely on my spreadsheets in writing as much as I depend on them for financial planning.

Writing a book was challenging. It took four years. I accepted a lot of criticism and did numerous revisions and rewrites, but I’ve done it. I have a complete book that I will self-publish on Amazon’s KDP platform in April 2022. 

Wednesday, March 23, 2022

Guest Post, Laurel S. Peterson: The Challenges of Writing in Multiple Genres

Laurel S. Peterson’s poems have been published in many literary journals. She has published two poetry chapbooks, two full-length poetry collections, Do You Expect Your Art to Answer? and Daughter of Sky (Futurecycle Press) and two mystery novels, Shadow Notes and The Fallen (Woodhall Press). She is a writing professor, serves on the editorial board of Inkwell magazine, and was Norwalk, Connecticut’s, Poet Laureate from April 2016 – April 2019. You can find her on TwitterLaurel on FacebookInstagram, and at her website.
 

Thanks for having me on your blog, Sarah. It’s a pleasure to be here!

As a community college English professor, I teach a lot of writing courses, and many students seem to struggle with why they need what I’m teaching them. Granted, employers tell us that they want employees with great communication skills, but that feels less accessible to them than, say, being able to tabulate a series of numbers (as an accountant), take blood (as a nurse), or whip up chicken marsala (as a chef). I get it. But the point of my courses isn’t only that they can now write about literature or make an argument for or against the death penalty, but that they have the facility to move among multiple forms to best express their ideas.

As professional writers, this is even more true of us. We are capable of not only writing our books in whatever our chosen genre is, but we also pen blogs, write Instagram or Twitter posts, create short stories and promotional materials, and make grocery lists. We are all capable, but what are the challenges?

The first challenge for me is flexibility of mind. I need to see what form the material wants, and then use that form. My poetry comes from intensely felt moments, while my novels come from issues. If I am out walking and am transported by the beauty of a hawk’s screel or the whispering water against the shore, that’s a poem. The purpose is to describe that moment’s power, its strong emotional pull, the way in which it connects me to something so much bigger than I.

But if I’m thinking about how someone might sneak up on me in those woods, where they would hide the body (or push it over the cliff to land in those handy bushes down below), and how women cannot walk alone in the woods in this world, then I’m in novel mode. However, the form isn’t always so clear right away. The intense moment of feeling afraid in the woods might go in either direction, and sometimes I don’t figure that out that it’s a poem until I’ve written thirty bad novel pages! 



The second challenge for me is a mastery of forms. The components of poetry are different from the components of novels. Character can be muted in poetry, but not in fiction. In literary fiction, you might get the kind of intense description that you get in a poem, but that might not be the case in genre fiction. Setting plays an important role in fiction, but it could be muted or almost absent in a poem. My challenge is to know how I can use those elements to create the effect that I want. In this case, being a poet can be really useful, as there is such attention to detail and language in a poem, and that’s a useful skill for any writer.

Finally, writing in multiple genres requires me to read more broadly. If I’m going to write in more than one genre, it’s my responsibility to be sure I’m reading in that genre as well. I do much better at that in the mystery genre than in the poetry genre, but there are always a couple of each in the reading stack. (The reading stack is a bit out of control!)  But this might also just be an excuse to buy another book!

Next up, I’m going to try writing something multi-genre, in which I combine genres in a single piece of writing. Wish me luck! What challenges do you face writing in more than one genre? I’d love to hear your thoughts.


Thank you so much for visiting with us!




Tuesday, March 15, 2022

Guest Post, Margot Kinberg: When You’re On Social Media*


*NOTE: The title of this post is a line from the Pet Shop Boys’ On Social Media

Margot Kinberg is a university professor and mystery novelist, originally from the US East Coast. Her academic and teaching background is mostly in language learning, teacher education, writing, and content area literacy. She has two crime fiction series: the Joel Williams series, and now, the Patricia Stanley series. Her new novella, Streets of Gold, comes out on March 16th.

Thanks very much for having me, Sarah. Technology has woven itself into our daily lives, and that’s especially true of social media. It’s not hard to see why, when you think of the ease of communication and the ability people have now to be in contact with others at any time, from many different parts of the world.

Social media has a lot of drawbacks, but, in both real life and in crime fiction, it can help solve crimes and find missing people. I’m sure you’ve read plenty of news stories that feature people who were reunited with family, and crimes that were solved, because of social media. We see that thread running through crime fiction, too.

Social media plays a major role, for instance, in Helen Fitzgerald’s The Cry. Joanna Lindsay and her partner, Alistair Robinson, travel from her native Scotland to his family’s home in Victoria. With them is their nine-week-old son, Noah. The flight is long and difficult, and the couple are all too glad to get off the plane and on their way. During the drive to Alistair’s family home, the couple faces every loving parent’s worst nightmare: the loss of their son. They report that he’s missing, and a massive search is undertaken. The media picks up the story, and before long, Facebook and other social media outlets are carrying the story, too. There are all sorts of ‘find Baby Noah’ pages, crowdfunding efforts, and more. The police are involved, too, of course, and they slowly begin to wonder whether Joanna and Alistair know more than they are saying about Noah’s fate. Questions start to come up online, too, and it’s not long before Joanna, especially, becomes the target of all sorts of speculation. The power of social media comes through clearly in this novel, and we see how that impacts the search and the couple.

Kazuhiro Kiuchi’s Shield of Straw is the story of Takaoki Ninagawa’s search for justice when his granddaughter is raped and killed. DNA evidence has linked Kunihide Kiyomaru to the crime, but he has gone into hiding. So, Ninagawa puts out a very public billion-yen bounty on Kiyomaru’s head and creates a website explaining how to claim the reward. When Kiyomaru hears of this, he knows that thousands of people will be looking for him, and he decides to turn himself in at the local police station. At least he’ll be protected there. Tokyo police detective Kazuki Mekari and his team are sent to bring the fugitive back to Tokyo to face trial, but that won’t be easy. Mostly through social media, thousands of people know that Kiyomaru is being brought to Tokyo by train. There’s even a way that people can check on the train’s progress online. So, the team will have to dodge amateur bounty-hunters all the way back to Tokyo. It’s an eerie look at how social media can be used to target someone.

The focus of Brannavan Gnanalingam’s Sprigs is an exclusive boys’ school in Auckland. Rugby rules there, and those who are on the team are the social leaders. One Saturday night after an important rugby match, members of the team get together for a party at the home of one of their teammates. News of the party gets around, and it’s soon crowded. One of the partygoers is fifteen-year-old Priya Gaianan, who’s both excited and nervous about going. She has too much to drink, and four of the boys on the team gang rape her. The incident’s recorded, too, and is soon passed around via social media. Priya is, of course, devastated, not only because of the rape, but also because everyone will find out about it. When she finally goes to the police to report what happened, they use the video to trace the attack to the boys responsible. In this case, we see how social media is helpful to the investigation, but also makes things that much worse for Priya.

Samantha Downing’s For Your Own Good is set against the backdrop of the exclusive (and expensive) Belmont Academy. The students there are all expected to be accepted at the finest universities, and their parents take every measure to ensure that happens. There’s a lot of pressure on the young people, and that only increases when Ingrid Ross, the mother of one of the students, suddenly dies during a major event at the school. When it’s established that she was murdered, the police begin an investigation that comes to focus on the victim’s daughter, Courtney. Along with the interviews they conduct, the police check online activity, texts, and social media to look for evidence. They arrest Courtney, but is she guilty? And if not, who else could the murderer be? It’s a complex case, and it doesn’t stop with just one killing. As we follow along, we see how the various characters share information and gossip, create their own theories about the crimes, and more, all using social media. We also see how the killer uses social media.

Social media is a part of my new novella, Streets of Gold, too. The story features fifteen-year-old Staci McKinney, who’s left home to escape her predatory stepfather. As you can imagine, her mother, Theresa McKinney, is desperate to find her, and checks her daughter’s social media dozens of times. She also creates a video, which she puts online, hoping that people will share. Her strongest wish is that Staci will see it and respond. But Theresa’s not the only one looking for Staci. Philadelphia City Councilman Daniel Langdon and his assistant, Scott Townlee, want to find Staci, too. She is the only witness to a crime they committed, and they want to make sure she’ll keep quiet. They, too, use a social media campaign to enlist the public’s help in tracking Staci down. In this case, social media could be a way to find and rescue Staci – or to trap her.

And that’s the thing about social media. Love it or hate it, it’s an important part of our modern lives. So, it’s no wonder at all that it plays a role in crime fiction, too.

Thanks again for hosting me, Sarah!

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