Monday, August 04, 2014

Strangely Funny II Authors: Meet David Bernard/Goudsward!


Aaaannnnd our press is back with Strangely Funny II, the followup to last year's collection. It's already available in print and e-book formats on Amazon and Smashwords.

I'd like to introduce you to an author who has appeared in both anthologies. David Bernard is the pen name of David Goudsward, a native New Englander who now lives (albeit under protest) in South Florida, a paradoxical place where, when temperatures drops below 60˚, locals break out parkas to wear over their shorts and sandals. Fans and detractors alike will enjoy the Florida-set "Goldy Luke and the Three Gators".

When did you know you wanted to become a writer?
I started writing back in 1975. I was in a local theatre group and started correcting errors in the script – I’m not talking grammar. I’m talking about dialogue so bad it confused the word ancestor for descendant. That was my “I can do this, and I can do this better” moment. I immediately set out with a cohort and we wrote the production for the next summer’s children theater group. More or less wrote plays through high school, switched to radio plays when a friend started a pirate radio station. I flirted with an internship at a newspaper and stayed with non-fiction after that. I didn’t return to fiction until 2010 at the insistence of my brother. By that point, I already had seven books out on non-fiction topics.

Do you think certain genres lend themselves to a humorous twist?
I think most genres lend themselves to humor, but I also think there’s a difference between humor and parody. I rarely find making fun of a style lends itself to hilarity unless it’s done by someone well-versed in the nuances of the genre; this is also why so many spoof movies bomb. Then you look at Robert Bloch – the man could integrate humor into horror so seamlessly and subtly that it bumps the horror up a notch.

Plotter or pantser?
I’m sort of a hybrid – I start all stories with an idea that I just run with, making me a pantser. But I’m also a stickler for as much accuracy as possible in details and chronology, so if I’m doing a story in a historical setting, I’ll plot out the real world events occurring during the story. More often than not, the outline will give me a new angle to consider. But pantsing makes it hard to meet deadlines on calls for submissions, since I really have no idea where the story is going until it arrives. Many a half-finished tale has been abandoned at a missed deadline until a later publisher sent out a call for submissions for stories of a similar ilk.

Thanks for talking with us!

David's most recent works include short stories in anthologies such as Once upon an Apocalypse and Mortis Operandi. His newest nonfiction book is Horror Guide to Massachusetts from Post Mortem Press.





Monday, June 23, 2014

Summer of Zombie 2014 SPOTLIGHT ON: Timothy Baker

Timothy Baker is a retired firefighter and an aspiring, perspiring, horror writer. He is published in Fifty Shades of Decay by Angelic Knight Press with his zombie/erotica story, Love Stinks, and the forthcoming Midian Unmade: Tales of Clive Barker's Nightbreed from Tor. Tim has also received a commendation in the Australian Horror Writer’s Association 2009 Short Story Competition. We're grateful to feature him on the Summer of Zombie Tour today!




So: What is your latest zombie release?

Quick description of it (no spoilers)
In Tibet, in a village riding a foot of Seche La Mountain, the zombie apocalypse arrives. With hundreds gathering for a holy day, the carnage is overwhelming and the town burns. Five survivors, a Chinese soldier, a Buddhist High Monk and his bodyguard nun, a ten-year-old boy, and a Nirvana seeking Shoalin monk, flee in the only direction they can: into the high mists of the mountain to barricade themselves against the following dead in the long abandoned, cliff-clutching monastery, Eagle's Nest.

There's a lot of zombie stories out there. Tell us something unique about yours.
The Tibet setting, a rural village that thrives near the top of the world. And it has a Kung Fu monk and a mute, badass, warrior nun!

Learn more about Timothy Baker at:

There's also a great interview with him at Beauty in Ruins!



The stench of rotting flesh is in the air! Welcome to the Summer of Zombie Blog Tour 2014, with 33 of the best zombie authors spreading the disease in the month of June.

Stop by the event page on Facebook so you don't miss an interview, guest post or teaser… and pick up some great swag as well! Giveaways galore from most of the authors as well as interaction with them! #SummerZombie

AND so you don't miss any of the posts in June, here's the complete list, updated daily:




Tuesday, April 22, 2014

Dark Poetry: Anthony Crowley

‘I never felt alive on this dreaded world called Earth,
I’ve been driven into sadness and pain all my past life,
The darkened blessed shadows allowed me for a beginning of a
symbolic rebirth..'
(from Sanitarium Magazine 14)

Today, we take a detour into the world of poetry. Many of the great early horror authors, like Poe, Lovecraft, and Clark Ashton Smith, were poets as well as authors. I normally interview fiction authors, but British author Anthony Crowley is also a dark poet. I haven't written much poetry, so I thought I might learn something if I asked him a few questions.

Q. Does poetry offer you a different type of satisfaction than writing fiction?
A. I have complete satisfaction from both poetry and fiction. But when I write I can express my writing in the different forms and styles with a different emotion involved into the idea. When I write stories I can be more descriptive with the Characters and themes and let my mind travel and wander around the whole nightmare or scenario and revert back to the original plot and with my poetic writings I focus mainly on one theme and subject and be descriptive and fluent as I can.

Q. What drew you to horror?
A. From childhood I always felt comforted by Horror; it was my escape and felt perfectly natural, it is my scenic home and mental abode. But also I was inspired by the classic literature of Edgar Allan Poe, Stephen King, Clive Barker. Dennis Wheatley and H.P.Lovecraft and two of my favourite story adaptions was 'The Devils Ride Out' and 'The Raven'. I also have several more inspirations within these subjects, but these are just an example.

Q. Can you tell us a little about your writing process? (for instance, do you have a secret hideout that you go to when you're working, or maybe a comfortable chair overlooking the garden) 
A. My hideout is my mind; the doorways within there create thoughts regularly on a daily basis. Sometimes one word can open up a visual piece of literature. All around us is inspiration and the creation of ideas.

Q. Who is your favorite author and what really strikes you about their work?
A. I have several influential Authors I could name and including the Authors I mentioned in previous question. One of those has to be Edgar Allan Poe and when I first heard The Raven' and Masque of Red Death' I really admire the mysterious atmosphere in which Edgar creates visually and poetically.

Q.What is your current project?
A. I am working on several projects. Some of these writings are unfinished works from during the last 6 years. I am also working on a few new projects and I have just published 'The Black Diaries (Volume One) which forms part of a new series which shall include a variation of Horror themed short stories and poetic dark verse. Tombstones is a collection of a variation of horror-related poetic literature which is also available now on both paperback and kindle editions.These publications were also in the Top 10 Horror literature charts at five consecutive Amazon sites. I have this week revised my first published Supernatural short story of 'The Light of Keeps Passage'. During these recent days, I have been editing and finishing my long-awaited novella 'The Mirrored Room', which was a semi-finalist at the 2013 book awards at 'authorsdB'.

Thanks for visiting with us!

Learn more about Anthony Crowley and his writing on his Amazon page at:
http://www.amazon.com/ANTHONY-CROWLEY/e/B0048E5L3K/







Friday, April 11, 2014

Hoosier Hoops and Hijinks Interview: Andrea Smith

Published by Blue River Press.
Please allow me to introduce you to yet another author from Hoosier Hoops and Hijinks. The tales in Hoosier Hoops, the current anthology from the Speed City Indiana chapter of Sisters in Crime, all involve one of Indiana's greatest obsessions: basketball.

Today's guest is Andrea Smith, the president of the Speed City chapter. She began writing mysteries and romantic suspense because there were few positive African-American female protagonists in her favorite genre. Smith has published three short stories featuring her Chicago police detective Ariel Lawrence. Her story in this anthology, "Fallen Idols", introduces a new character: Lenora Wise.

Q. What gave you the idea for "Fallen Idols"?

I actually sort of ripped it from the headlines. When we chose a basketball theme for our chapter’s third anthology, I thought about all the sports figures who were in the news for behaving badly. Indianapolis really loves its basketball, so I wondered what if there are some heroes on the city’s beloved team who aren’t what they seem and don’t deserve the pedestal they’ve been put on.

Q. You're using a new heroine in this anthology: Lenora Wise. Tell us a little more about her.

Like many who go into law enforcement, Lenora Wise became a cop after losing a loved one to crime. Her mother was shot and killed in a carjacking, and the killer was never found. Every time Lenora catches a murderer, she feels she’s getting justice for her mother. I developed Lenora for this story because I wanted to explore what it’s like for a detective to move to a new city and have to fit into a new police structure. Lenora had been with the St. Louis police department and became disillusioned because her superiors were more concerned about boosting their careers than getting criminals off the street. She hoped the Indianapolis police department would be different.

Q. Will there be more stories with Ariel Lawrence?

Absolutely. I have an Ariel Lawrence novel under revision. She has to catch a serial killer while working with a partner she loathes. There are ideas for three other stories in the Ariel Lawrence detective series. Ariel’s a fierce defender of justice for the everyday person who can’t defend themselves. And she believes neither money nor prominence should make a person immune from the law. Often her cases involve white-collar criminals who believe their position and their millions mean they don’t have to play by the same rules as others.

Q. Who is your favorite author (or current fave) and what really strikes you about their work?

Walter Mosley who writes the Easy Rawlins Mysteries is one of my faves. His writing is lyrical to me, and he’s created an iconic character who will forever live in readers’ minds. That’s something I’d like to achieve.

I also enjoyed Lisa Scottoline’s legal thriller series and like her stand-alone novels. She draws strong women characters and mixes thrilling plots with humor.

Q. What's your current (or next) project?

In addition to the Ariel Lawrence novel, I’m finishing a historical mystery short story for our chapter’s next anthology. It’s set in 1930s Indianapolis, and features a husband and wife who find themselves hunted by police for a murder they didn’t commit. I also plan to turn a short story I wrote featuring an amateur sleuth into a novel. The character, Lela Ames, is a feisty, middle-aged beauty salon owner/entrepreneur who everyone brings their troubles to. Usually those troubles result in Lela having to solve a murder.

Thanks for visiting us today!

Check out Hoosier Hoops and Hijinks on Amazon. You can learn more about Andrea Smith at the Speed City chapter's website.

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Sunday, March 16, 2014

Thoughts

When I take the trash and recyclables to the curb on Sunday, I often think about the changes my life has gone through.

I used to think, "A year ago, I was in my own home."
Then, it became, "A year ago, my father was alive."
Now, it's become, "Two years ago, I was in my own home."
Next month, will I say, "Two years ago, my father was alive--?"

Do we ever stop grieving for what we once had?

Sunday, February 23, 2014

Mardi Gras Murder interview: Meet Selina Alaniz

Art by Karrett Barbosa
Selina Alaniz contributed "The Jester and the Girl" to Mardi Gras Murder. When the story begins, you think you know what's going to happen... but there's a surprise. We decided to ask her for more details.

Your story, "The Jester and the Girl", deals with an unusual meeting. Can you tell us what inspired the story without giving too many spoilers?  :)

My inspiration for "The Jester and the Girl" came from me wanting to tell a story that was a little different and a little twisted. I wrote these characters with this in mind and just allowed them to take me down this mysterious path. I also think New Orleans itself helped shape some of the elements like the tone and atmosphere. The city has a lot of history and has an allure that lends itself to telling a story like this.

We're pleased we're the ones who got to be your first short story publisher. Any more stories in the works? Novels?

I am so thankful and grateful that Mystery and Horror LLC were the ones to publish my first story. I don't have anything definitive yet but the wheels are turning so we'll see what I can come up with.

Speaking of novels... What do you enjoy reading?

I have to mention R.L. Stine because he was the author I grew up reading. I read every Fear Street and Goosebumps published. I still have most of those books and intend to keep them as long as possible. I love Charlaine Harris, Rachel Caine, and Stephen King. I also love Jane Austen and the Bronte Sisters. Right now I am reading Dystopian novels. I find it interesting to read all these different authors ideas of how people would survive in these end of the world scenarios.

Plotter or pantser?

That is a good question. I think I am a pantser with a hint of plotter. I like to have a general outline of my characters and story but I will sit at the computer and just type away. I'll let my characters do the talking and just go with it even it differs with what I initially started with.

Thank you for being with us today!

Mardi Gras Murder contains thirteen tales of crime that take place during the carnival season. It's now available at Amazon.com in print and Kindle formats. Other authors in Mardi Gras Murder include Paul Wartenberg, Nathan Pettigrew, and Debra H. Goldstein.

Saturday, February 22, 2014

Mardi Gras Murder Interview: Meet Daniel Moore

Today, we're meeting Daniel Moore, the author of "Even". The tale is straight-up modern noir and I knew that I was going to be sending an acceptance before I even finished reading it. What drives an author to write noir? Moore gave me some clues.

Sarah: What inspired the idea for "Even"?

Daniel: While going through my personal backlog of books a few months back, I found myself reading all the Ken Bruen titles on the list. Bruen's a brilliant crime fiction author who once lived a criminal life alongside people who were obvious inspirations for the heroes in his books. That kind of credibility rally pulled me in. The book which got me into the drafting process for "Even" was "Her Last Call to Louis Macniece" where an aging English hood gets tangled in an affair with an American pickpocket. The idea that a seasoned crook and murderer could've been so easily crippled by a young woman paying him too much attention and wind up disrupting his entire enterprise struck me as an easy-to-understand joke that related far beyond crime fiction. It was a nice reminder of what a villain could look like to a protagonist that appears almost too capable in the face of danger.

Sarah: How did you pick the genre/setting/era you write in?

Daniel: I wrote this piece as a crime story because I think criminality and the law are the home of the modern and postmodern romances. Whether this speaks good or bad about society today I can't say, but there is, I feel, a deep fascination with what is and isn't criminal and who falls on either side of that line. I have that interest too and I think that's to blame for why the story takes place in seedy dwellings just beyond more civilized settings. I think the story reads as thought it takes place today, but I never think of my stories in the present but rather years from when I'm putting the words to paper. I think if you read the story with that in mind it'll drastically change the experience.

Sarah: Who is your favorite author and what really strikes you about their work?

Daniel: I can't give enough praise to William Gibson as being the author who speaks most directly to my imagination as a reader and a writer. If there's one external influence I'm grateful for in giving me the idea of going down the path to becoming a writer it'd be him and his work. Gibson has a way with words I don't think any other author has. Sometimes it reads as though he's perfectly translating what's in his head onto paper in a way that makes no compromises for the sake of the reader and forces you to bend to his will. And after a page, you'll do just that. Whether it’s the exploration of the mind through drugs or choice or technology, Gibson has a way to remain scarily relevant and topical after decades of writing in a way that only Vonnegut was capable of. His work has always been a source of inspiration. If one day my work were ever to be compared to his, it would be the only time a comparison wouldn't feel like an insult.

Thank you for being with us today!

See Daniel's story for yourself. Mardi Gras Murder is now available at Amazon.com in print and Kindle formats. Other authors include Harriette Sackler, Nathan Pettigrew, and Marian Allen.



Sunday, January 05, 2014

Must-see news from A Strong Man's Cup of Tea

Any survivor of the USA holiday marathon MUST read this post from Keith Stewart.

A Strong Man's Cup of Tea: Holiday News You May Have Missed
NOW is the appropriate time for the Hallelujah Chorus to wash over our cities and towns, for the almost never-ending "Holiday Season" is finally complete. For whatever rea$ons, we have stretched and pulled what really is a 2-3 day celebration and made it into a 3-4 MONTH blowout.

Seriously, go there and read the entire article. Hilarious.

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Sunday, December 15, 2013

Undead of Winter Authors: Meet James C. Simpson


Today, I'm introducing James C. Simpson, the author of "Mit Den Augen Der Toten". It's a story that involves a bad place in a turbulent time, and some very cold weather. Phenomenally cold. If it can make me feel cold in Florida, that's cold!

Q. What gave you the idea for “'Mit Den Augen Der Toten”?
A. The concept for that story was a combination of things. It was based off of some actual firsthand accounts that were told to me by German soldiers who had fought in the east. World War 2 has always held a special fascination for me. It was the most epic time in history and had a very apocalyptic feeling. This real-life horror lends itself to supernatural terror very easily and I took it from there. You can sense an obvious Lovecraftian influence, but the isolation and the cold is based off of my own experiences in the wilderness and being alone. The winter is a great setting for horror because it really is a dead period. It's cold and bleak and it's little surprise that so many horror stories are set in these months.

Q. Your story was one of the best for conveying a true sense of cold. Did you research it, or is Pennsylvania that bad in the winter?
A. Pennsylvania has had some rough winters. No one wants to lose their power, but it is genuinely frightening to lose it in the winter. I've had that happen to me and it can be an arduous experience, especially if you don't have a generator!
The winter always creeps me out the most. All I see is dead trees and hear the whistling wind. No other time of the year does it feel more desperate and lonely.
No small wonder that Frankenstein bookends in the Arctic.
Some of the accounts are based off of my experiences, but others were taken from what I heard. I guess the Russian winter was so extreme that it actually turned the oil into gelatin. That's pretty scary. Not to mention, it was so cold that the abandoned livestock would actually die from exposure and die where they stood...literally, like statues.
I have no love for the winter. I love Christmas, because I'm sentimental like that, but after that, I'm ready for the summer!

Q. How did you pick the genre/setting/era you write in?
A. I have a certain obsession with World War 2 and own several books on the subject. In fact, I have another story being published in a few months that is also set during that war and contains a supernatural element. The war in Europe was of particular interest because of the dimensions of the conflict. Hitler was in effect, the last of the conquerors and it's frightening to think how close he came to taking over the world. I remembered some of the stories I had been told and combined them with the concept of an ancient evil, relative to what the Third Reich was. I have to imagine that the forces of darkness must love something like the Nazis. The Third Reich actually were obsessed with the occult, so that's where that idea came from. I have to figure that is they knew of some supernatural power, they would undoubtedly have wanted to use it, crazy as that sounds.
I feel like this might even be a hint at something future I'll write about, perhaps something mythological. I've had a concept for a long time about Nazis uncovering an ancient evil in an attempt to derive power from it, only to have it consume them and it may return again in future stories, possibly even a novel.

Q. What was your favorite part to write in “Mit Den Augen Der Toten”?
A. The beginning on the Russian front was some of my creepiest stuff. That was certainly interesting to write, but I confess, I never mapped out the story much, I just let it flow. I wanted something strange and unnatural to be found and when it came time to write about the remains of the camp, I just imagined this elemental force that raises the dead and that was pretty strange.  I had a dream about it and it was kind of unsettling, so I jotted it down and if it seems kind of whacked out, blame it on my dreams!
The toughest part when you write something like this is the ending. How do you properly conclude these things and make your readers remember them?
I really hope my last line wasn't too vague.

Q. What's your current project?
A. I have another story coming out in early 2014. That should be out in an anthology called “Luna's Children: Stranger Worlds.” I also have a few more writings on my plate, including another trip back to Nazi Germany, this time involving an ancient vampire, and I am trying to write a western horror, as that's another genre I am very fond of.

We look forward to seeing them!

Undead of Winter is available in print and Kindle format at Amazon. You can enjoy James' story there, along with other fine offerings from authors like Alex Azar, Stephanie Stamm, and D.J. Tyrer.

Wednesday, December 04, 2013

Paul Wartenberg: Serious Ways To Celebrate Saturnalia

You Might Notice a Trend: Serious Ways To Celebrate Saturnalia

From Paul Wartenberg: author, NaNoWriMo 2013 winner, and author of a well-received story in Strangely Funny. You may find his post strangely funny as well.

Tuesday, December 03, 2013

Undead of Winter Authors: Meet Tom Wescott


Now available at Amazon.
Tom Wescott is an American criminologist specializing in the Jack the Ripper mystery. He's authored numerous original research pieces for journals such as Ripperologist, Ripper Notes, The Whitechapel Society Journal, Casebook Examiner, and The New Independent Review. In 2014 he will publish two full-length investigative works related to the Ripper case: The Bank Holiday Murders and The Berner Street Mystery.

With the story 'Coffin Dirt', though, he creates a story, not a research article. And what a powerful story it is! I write notes about each anthology submission in my spreadsheet to refer to later. Next to his, I wrote: "F---ing near literary." It's horror, but it's not just horror. Learn more about the story, and Tom, now.

Q: What gave you the idea for 'Coffin Dirt'?

A: Winter itself gave me the idea. It's my least favorite holiday. Very dangerous. And much of the stuff in the story happened to people I know. That was the true inspiration for the story. The rest of it just came as I was writing it. I didn't know where it would go until I got there, but I knew that I didn't want to write an identifiable 'monster', such as a ghost or vampire. I'm not sure what Tyson is at the end, but I know he's not an illusion.

Q: You have an interesting day job: criminologist. Could you tell us more about that?

A: Unfortunately, that's a hobby and not a day job. I have a passion for unsolved crimes and like to try and solve them to my own satisfaction. The Jack the Ripper mystery is my personal favorite.

Q: Tell us about your Ripper research.

A: I've studied the Ripper case since the late 90's and have published around 20 essays on the subject. I have two books coming out in 2014. The first (due in January or February) is called The Bank Holiday Murders: The True Story of the First Whitechapel Murders and will include new evidence that I believe will cause quite a stir in 'Ripperology'. The second book, due later in the year, is called The Berner Street Mystery and focuses on the murder of Elizabeth Stride, one of the victims. Lots of myths and mysteries surround this woman and her murder and the book is intended to provide as many answers as possible. Following these I'll produce a larger, more mainstream book on the Ripper case.

Q: What made you decide to start writing your own stories?

A: Like most writers I don't think I had a choice. I was compelled to write and so write I did and will do.

Q: Who is your favorite fiction author and what really strikes you about their work?

A: At this moment I really like Dan Brown and Steve Berry. Popular novelists with a historical bent. Authors who like to explore historical mysteries intrigue me because I like to do that myself. I also love reading horror short stories and buy anthologies as well as journals. I don't like most short stories I read, but when I find ones I like they're often more powerful than a good novel. A novel is like a good nap, but a good short story is like an energy shot.

Thanks for talking to us today!

If you'd like to learn more about Mr. Wescott's Ripper research, he recently did an interview on the subject for the Jack the Ripper Investigations Blog. Click here to whet your appetite for his upcoming publications.

Friday, November 22, 2013

Goodreads Giveaway: Undead of Winter

You may wonder what I've been doing between posting interviews. Well, I was editing and helping format Undead of Winter, the newest offering from Mystery and Horror, LLC. As part of our launch, we're giving away three copies on Goodreads.


Goodreads Book Giveaway

Undead of Winter by Sarah E Glenn

Undead of Winter

by Sarah E Glenn

Giveaway ends December 13, 2013.
See the giveaway details at Goodreads.
Enter to win

This book is darker than our previous offerings. Some of the stories have a little warmth or humor, but the majority of them are best described as... chilling.

I encourage you to enter the giveaway, and to check the lengthier description of the book on Amazon. It might be the blast of cold air you're looking for!

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Tuesday, November 19, 2013

Hoosier Hoops and Hijinks: Brandt Dodson

Please allow me to introduce you to another author from Hoosier Hoops and Hijinks. The tales in Hoosier Hoops, the newest anthology from the Speed City Indiana chapter of Sisters in Crime, all involve one of Indiana's greatest obsessions: basketball.

Today, we're meeting Brandt Dodson, author of "Requiem in Crimson". Brandt is a man of many talents. Among his previous jobs: working for the Indianapolis office of the FBI, serving as a Naval Officer in the United States Naval Reserve, and even getting a doctorate in Podiatric Medicine. His passion, however, is for his writing.

Q: How did you come up with the idea for "Requiem in Crimson"?

A: Like most things in my life, it was happenstance. I stumbled into it.
I was in the process of beginning a new Colton Parker novel.  I did not have a title, but I knew the story would have to involve Colton doing a personal favor for Mary Christopher, his former FBI colleague and developing love interest.  Like most of the time when I write, I tend to put the piece down so that I can come back to it at a later time and see it with fresh eyes. While I was waiting for this novel to brew a little, I was approached by a member of the Indianapolis chapter of Sisters in Crime about doing a short story for the Hoosier Hoops and Hijinks anthology.  I was honored to be asked, so I dusted off the first chapter of the new Colton Parker novel and developed it into a shorter piece. I've never been a greater outliner when writing, preferring the 'seat-of-the-pants' approach.  I adopted that approach here, too.

Q: On your Web page, you say that your English teacher encouraged you to write. Tell us more about that.

A: I've been fortunate in that I've had a lot of encouragement in life. My parents were the kind that revered education and reading and read to me when I was a child. Their encouragement led me to the world of books. I'm convinced that my love of reading led me to writing.
At several points along my early school career, I had a succession of teachers who saw in me something that I didn't see in myself. Consequently, whenever we wrote short stories or essays in English class, the teacher would invariably pull me aside and encourage me to pursue writing. This happened in grade school, high school, and in college. In the latter case, my writing instructor knew I was looking at medical school but took the time to tell me: "If you don't write, you'll live to regret it." I didn't listen as well as I should have, but it's never too late. I'm writing now and have been blessed with the opportunity to traditionally publish several novels and short stories and to see a play adapted by a dinner theatre. I continue to write because I don't know how I could stop. It's part of my DNA.

Q: What do you know now that you are published that you wish you'd known before?

A: Oh, my. Where do I begin?
I wish I knew that marketing is as important as writing a good book. In my early years I was writing under the delusion that my publisher would produce the book I'd written and get it to the stores and libraries and organize publicity tours and all the rest.  They didn't. If I had known that, I would have started marketing the book while I was writing it. Nevertheless, it still did pretty well and has led to several others.
I wish I'd known that publishing was going to change as radically as it has.
I wish I'd known that editors and agents want to find writers as badly as writers want to find them. It would have saved me a lot of grief.

Q:  If you could ask your readers one question, what would it be?

A: What kind of story would you like to read, but can't seem to find?

Q: Okay, so you're an author. What do you enjoy reading?

Published by Blue River Press.
A: I read a great deal of non-fiction, particularly biographies. I'm reading Doris Kearns Goodwin's biography on Franklin and Eleanor Roosevelt, No Ordinary Time. But I also read a great deal of fiction. I just finished reading Michael Connelly's The Brass verdict (great book) and I am reading two other novels simultaneously: Black List by Brad Thor and Silent Night by the late Robert B. Parker and his agent, Helen Brann. I've even just started Ender's Game by Orson Scott Card. It's outside the genre I normally read, but so what? It's good.

Q: What is your current project and can you share a little of it with us?

A: I am writing Chicago Knights, the second in the Sons of Jude series. The series debuted last year with the first novel, The Sons of Jude, for which the series is titled.  The novels feature a rotating cast of characters in the Chicago Police department. Chicago Knights is a character-driven story that tells a tale of sacrifice and redemption.

Brandt Dodson is the creator of the Indianapolis-based Colton Parker mystery series and is the author of several crime novels and short stories as well as play he developed for the Great Smoky Mountain Murder Mystery Theatre in Pigeon Forge, Tennessee. The play - The Bradley Bunch - opens on March 23rd and runs through the end of the year.
Brandt comes from a long line of police officers spanning several decades and was previously employed by the Indianapolis office of the FBI.
The Sons of Jude is his most recent novel and was published in September 2012.
You can find Brandt at: www.brandtdodson.com

Sunday, November 03, 2013

Hoosier Hoops and Hijinks

Today, we're meeting Diana Catt, author of "The Art of the Game", the opening story in Hoosier Hoops and Hijinks. Hoosier Hoops is the newest anthology to be published by the Speed City Indiana chapter of Sisters in Crime, and focuses on one of Indiana's most popular pastimes: basketball. I asked her about her story, writing, and reading habits.

Q: How did you come up with the idea for "The Art of the Game"?
Published by Blue River Press.
A: When I sat down to write a story with a basketball theme, I knew I was competing with many talented Indiana authors who were also writing to the basketball theme and I wanted a story line that would be unique.  I decided I would try focusing on a basketball fan. But a normal fan wouldn’t do, I needed a creepy, obsessed fan, right?  And I wanted to illustrate how the player was happily going along with her life and had no idea this fan had focused on her.  That’s the creepy part to me - that someone could be out there with a distorted view of reality and no one knows.  Of course, problems come when the two cross paths.
I set the story at Purdue because when I was my daughter’s little league coach I took the girls to a women’s game at Mackey Arena for some exciting and intense basketball.
The art portion of the story?  That just popped into my head.

Q: When did you know you wanted to become a writer?
A: I’ve been an avid mystery and sci-fi reader since 3rd grade when I discovered Nancy Drew and later Isaac Asimov.  But at that time I didn’t want to write mysteries, I wanted to be Nancy Drew.  Ultimately, I discovered I’m not nearly brave enough.  So I became a scientist.  About twenty years ago, I attended a seminar where the speaker described the first successful cloning of mice and I was inspired to write a sci-fi novel.  I had so much fun with it and I’ve been writing in my spare time ever since.

Q: Who is your favorite author (or current fave) and what really strikes you about their work?
A:  I like a wide variety of authors and genres.  There’s no one favorite, but some authors I’m always sure I’ll enjoy include: Tami Hoag’s thriller/suspense, Tony Hillerman’s Navajo mysteries, Dean Koontz’s scary stuff, Zoe Sharp’s mystery/thriller and J.A. Jance’s mystery/horror.  Right now, I have new releases by other favorite authors in a pile waiting to be read: William Kent Krueger, Terence Faherty, Hank Phillippi Ryan, just to name a few.   I want good character development, an interesting setting, and suspense that keeps me turning the page late into the night.

Diana Catt has the following short story publications: “Photo Finish” in Racing Can Be Murder, Blue River Press (2007); “Evil Comes” in Medium of Murder, Red Coyote Press (2008); “Slightly Mummified” in A Whodunit Halloween, Pill Hill Press (2010); “Boneyard Busted” in Bedlam at the Brickyard, Blue River Press (2010); “Au Naturel” in Patented DNA, Pill Hill Press (2010); “And Through the Woods” in Back to the Middle of Nowhere, Pill Hill Press (2010); “Salome’s Gift” in Murder to Mil-Spec, Wolfmont Press (2010); “The Art of the Game” in Hoosier Hoops and Hijinks, Blue River Press (2013). Diana is married with three kids.  She enjoys her laid-back cat and accepts the challenge of her stubborn dog.  Diana is an environmental microbiologist who mainly hunts for mold in homes but she is also an adjunct professor teaching microbiology at a university in Indiana.

Sunday, October 20, 2013

Hoosier Hoops and Hijinks by Speed City Indiana Sisters in Crime

Hoosier Hoops and Hijinks is a project Gwen and I have been involved with that is not a MAHLLC production. It's the latest anthology from the Speed City Indiana chapter of Sisters in Crime, and features something dear to the hearts of Hoosiers and Kentuckians alike: basketball.



Our story, "The Odds Are Always Uneven", stars two retired WWI nurses, one elderly inventor, and a clockwork wildcat. These same characters are the detectives in the novel we're writing together, so consider this a taste of fun to come. And hey, it's basketball with gangsters and speakeasies; what could be better?

Check out Hoosier Hoops and Hijinks on Amazon!


Tuesday, October 01, 2013

Cover reveal: Ha-Ha! Horror


"I laughed, I groaned, I shook my head in disbelief....Ha-Ha! Horror will bring a grin to the faces of adults and kids alike..."
--Colleen Wanglund, Monster Librarian
Here's your first taste of Ha-Ha! Horror from the masterful Monstermatt Patterson. We first 'met' Monstermatt during our time with Pill Hill Publishing. He's a remarkable person.

Monstermatt is a horror artist and illustrator who does monster portraits and masks, and a nominee for Best Painter in the Artvoice 2013 Best of Buffalo Awards. He narrates 'The Monster Minute' on the 6' Plus podcast, which is either the best or worst minute of the show. He is the wizard of bad monster jokes, and we're helping him share them with you. 
Ha-Ha! Horror is proudly presented by Mystery and Horror, LLC.

Learn more about Monstermatt:

http://hahahorror.gravediggerslocal.com/ (you can see some of his material there)
http://monstermattpatterson.wordpress.com/


Be sure to check the Mystery and Horror, LLC website for more information on the book as it becomes available.

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Sunday, September 22, 2013

All Hallows' Evil Authors: Meet Daniel Hale!

Today, we're talking to Daniel Hale, author of "Pact of the Lantern". It's a great story, and especially appropriate for a Halloween anthology. That anthology, All Hallows' Evil, is now available in print and Kindle format. We're also doing a giveaway on Goodreads.

Q. Tell us about your inspiration for the story. It is very much a 'reason for the season' tale.
A. I wanted to write a Halloween tale that would illustrate the evolution of the original holiday traditions to the ones we know today. I envisioned Halloween as a parallel realm that once a year becomes connected to our world, allowing its beastly denizens to cross over for a short time and spread their celebratory havoc. From there I needed to show why they would follow the rituals of protection—the Jack o’ lanterns lit as a symbolic OFF LIMITS—and the consequences of dishonoring the Pact.    

Q. How did you pick the genre/setting/era you write in?
A. I had no specific location in mind for the setting: just an anonymous small town with strong community feelings and prejudices towards Halloween traditions. It saddens me personally to see the celebrations die a little more every year, harmless fun sacrificed for narrow definitions of decency. A place like that would be a windfall to a trio as troublesome as Pintley, Founger and Scabus, and their looting and plundering would only serve to feed the cycle of distrust. 

Q. When did you know you wanted to be a writer?
A. When I first started college. I knew I needed to figure out what I wanted to do with my life, and it just occurred to me “Hey, I read so much. Why don’t I try writing?” So I’m still trying my hand at that, seeing where I end up. 

Q. What is your current project?
A. I like to keep an eye on submission calls for contests and upcoming anthologies, and focus on a number of projects. At the moment I’m trying to finish a story for the “Midian Unmade” anthology of Clive Barker-inspired stories. I’ve also got a story appearing in “The Last Diner” anthology by Fringeworks, which will be coming out soon. After that I want to buckle down and write my first Big Debut Novel. Wish me luck! 

Q. Plotter or pantser?
A. All writers are plotters. It’s only in our stories that we have the courage to pants. 

Thanks for talking to us today! And, good luck!





Saturday, September 21, 2013

All Hallows' Evil Authors: Meet DJ Tyrer!

Today, we meet multitalented DJ Tyrer, the person behind UK small press Atlantean Publishing as well as the driving force behind The Yellow Site, the King In Yellow wiki. He also figures prominently in the sold-ouSorcery and Sanctity: A Homage to Arthur Machen, coming out in late October from Hieroglyphic Press.

He is also the author of "An Echo of Samhain", one of the stories in All Hallows' EvilAll Hallows' Evil is now available in print and Kindle format. We're also doing a giveaway on Goodreads.

Q. In "An Echo of Samhain" the crime and its investigation are both supernatural in nature. I'm curious about the magical system. Did you draw from actual practices, magic in popular entertainment, other sources..?

The magic system behind "An Echo of Samhain" is intended to evoke the feel of real-world occult and folkloric beliefs, although I have drawn inspiration from those sorts of fiction that are closest to it, mainly horror and the magic of the Shadowrun setting. Although there is a lot of fun to be had with the sort of fantasy settings where wizards can toss around fireballs, I've always be most drawn to the idea of a wizard as a manipulator and magic as something that is difficult to use and comes with a price, rather than something that can be tossed around casually and on a whim.

Q. Tell us more about The Yellow Site.

I became involved with The Yellow Site, a wiki of anything and everything to do with the Yellow or Carcosa Mythos inspired by the works of Ambrose Bierce and Robert W. Chambers, after editing a small press anthology of "King In Yellow" fiction and poetry. My involvement spiralled from there and I ended up, entirely unplanned, as the major driving force behind the site (although, as a wiki, anyone is free to work on it) due to the feedback nature of the process – the more I added, the more topics I realised needed to be added. Even though there is still a great deal more work to be added and the project, by its nature, is open-ended, I believe that it is currently the most comprehensive collection of information on this sub-genre.

Q. Who is your favorite author (I could take a guess) and what really strikes you about their work?

In terms of the authors who have most impacted my writing and dominated my time, Chambers is, of course, there at the head of the list, along with the other greats of weird fiction such as Lovecraft, Machen and Clark Ashton Smith. There is something about the dream-like ambiguity of Chambers' "The King In Yellow" that bewitches me. I suppose it is the desire of the mind to impose order even on the most nebulous of things. There are an infinite number of stories that could be told from that same basic template, each interpreting the source material quite differently.

Q. What is your current project?

I've just finished writing my second "King In Yellow"-inspired novella (the first, "The Yellow House", was released in a limited edition that received some amazingly positive feedback) and am currently in the midst of submitting short stories to a variety of anthologies, both on spec and by request.

Q. What was the first story you wrote? Did you try to publish it?

What I regard as my first 'proper' completed story was "The Legend of Harley", a horror story that I first wrote in my early teens, then reworked in 1996 (according to my records). I included it in an early issue of Monomyth in 1999 and it has been republished since (and there is even a heavily reworked and expanded version of the legend currently under consideration for an anthology at the moment). The location of the story, Harley's Mount, and its environs have gone on to feature in a number of published and unpublished poems and stories, even an article on conlanging. In fact, around 1995/96, I wrote an as-yet-unpublished novel set on The Mount (recently rewritten), which, by coincidence, was the first appearance in my fiction of Paul Starling, who features in "An Echo of Samhain".

Thanks for talking to us today!

Learn more about DJ Tyrer via his personal blog at http://djtyrer.blogspot.co.uk/ , and check out The Yellow Site if you're a Chambers fan.




Wednesday, September 18, 2013

All Hallows' Evil Authors: Meet Erin Farwell!

Mystery and Horror's second anthology is out! As of today, All Hallows' Evil is now available in print and Kindle format. We're also doing a giveaway on Goodreads.

Today, I'm introducing you to Erin Farwell, author of Shadowlands and "The Carver". This mystery takes place in a Halloween maze set up in a corn field - illuminated by the Jack o' Lanterns of the soon-to-be-victim. Erin's descriptions brought back memories of one of my favorite Samhain celebrations which had a corn maze with interesting encounters. Fortunately, that one was lethal for no one. So, let's learn more about Erin:

Q. I really enjoyed reading about the pumpkin walk. Were you drawing from personal experience when you wrote it?

A. The general setting is from a local farm with a great corn maze, haunted barn, hayride, bonfire, etc., but no pumpkin walk. I know many places that line paths with pumpkins but not one specifically like this. I’m sure they exist; I’ve just never had the pleasure of experiencing one.

Q. What made you decide to start writing your own stories?

A. I’ve written stories since I was a child but set that love aside when I started college. After law school I worked as a consultant, a job I loved, but my writing consisted of reports and articles. I dabbled with fiction writing until about eight years ago when I buckled down and got to work. My first novel wasn’t very good but I learned I could write a beginning, middle, and end. This may seem obvious but I had several friends who wrote great beginnings, then became bored and moved on to the next story. Even though my first book wasn’t good, I learned from that process and my second novel became my first published one.

Q. You've done a lot of traveling. Is there still a place you haven't been that you'd like to go?

A. LOL. I have an entire pinterest board devoted to places I’d like to visit. I would love to ride the Orient Express, visit the Lake District in England, and tour the pyramids. I need to start setting stories in these places so I can have an excuse to go and a tax write off as well.

Q. What is your current project?

A. I’m writing a sequel to Shadowlands. My protagonist, Cabel Evans, took his first steps back into the world in the first book. Now he must deal with his greatest challenge, his family.

Q. Can you tell us a little about your writing process?

Generally, I start with my setting. Many writers begin with their plot or characters but I need to know where the characters live, work, and since I write mysteries, die. Once I have the where, the rest of the story unfolds. When I start a project I know my beginning and my end as well as specific plot points along the way. I find that if I am too structured my writing becomes stiff and the story predictable. When I let things happen more organically the story flows better and I find that small things I put in for background are just what I need to get myself out of a corner I’ve written myself into. These happy coincidences make my stories richer and my characters more natural.

Thanks for talking to us today!

Read "The Carver" and twelve other great mysteries in All Hallows' Evil, and check out Shadowlands as well.

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Wednesday, August 14, 2013

Guest Post: Leslie Budewitz

And now for something completely different—because sometimes it’s fun to visit another part of the playground. And because sometimes humans are scarier than any zombie or vampire!

My first mystery, Death al Dente, was just published by Berkley Prime Crime. It’s a cozy mystery, and I can hear some of you—readers and writers alike—asking “what’s that?”

You all know the traditional mystery – think Agatha Christie. One of its modern incarnations is the cozy. It’s the comfort food of the mystery world, the mac & cheese. And who doesn’t love that now and again? (Or carbonara if you’re Italian, like my protagonist’s mother.) No graphic sex or violence; lots of graphic food. Okay, so they don’t all involve food. Some involve knitting. Or librarians or booksellers, psychics or museum directors. Or the owners of haunted houses and hotels. But no FBI agents or bomb squads—at least, not as protagonists. The setting is typically a small town, or an identifiable community within a big city, where a murder is a shock that disturbs the natural order. An amateur sleuth— typically female—is drawn in by the personal nature of the crime, and uses her skills and connections to solve it.

But not everyone likes the term. Carolyn Hart, a goddess in the mystery world (and a past president of Sisters in Crime, which designates former leaders as goddesses), asks “How cozy is it to die in agony from poison, knowing your killer is among your intimates, but dying without knowledge of the culprit?” Not cozy at all—downright terrifying—but in my opinion, the term is cheekily ironic for exactly that reason.

There is an official investigation, of course, run by law enforcement. Often, the amateur sleuth hears and sees things the police can’t. She knows the community—she and her shop, café, or gallery are often at its center. As a result, she may be convinced that the police are focused on the wrong person—maybe even her, or someone close—and will act too quickly or fail to take seriously the clues she uncovers. They may think she’s helpful—or try to stop her from interfering. But in the cozy, both the professional and the amateur detectives are essential, because they serve different functions. Their job is to restore external order, through the legal system. In the cozy, they need her help. By giving it, she demonstrates the triumph of the individual over evil. Her involvement in righting a wrong restores balance to the community. She restores social order.

And ultimately, that’s what a cozy is about: community. How it’s formed, how it’s damaged, how it’s restored.

And of course, how it eats.

***

Death al Dente by Leslie Budewitz is the first in the Food Lovers' Village Mysteries (Berkley Prime Crime, August 2013). The town of Jewel Bay, Montana—known as the Food Lover's Village—is obsessed with homegrown and homemade Montana fare. So when Erin Murphy takes over her family's century-old general store, she turns it into a boutique market filled with local delicacies. But Erin's freshly booming business might turn rotten when a former employee turns up dead.

Leslie is also a lawyer. Her first book, Books, Crooks &Counselors: How to Write Accurately About Criminal Law & CourtroomProcedure (Quill Driver Books) won the 2011 Agatha Award for Best Nonfiction, and was nominated for Anthony and Macavity awards.

Leslie lives in northwest Montana with her husband, a musician and doctor of natural medicine, and their Burmese cat, Ruff. See Ruff on the cover of Death al Dente and visit Leslie online at  www.LeslieBudewitz.com or www.Facebook.com/LeslieBudewitzAuthor

Saturday, August 10, 2013

Launch Party: Wrapping Up

Shipping out the authors' copies.
Thanks for joining us during our virtual launch party. We've posted interviews, profiles, excerpts, even one entire story on YouTube. We mailed out the authors' copies of Strangely Funny today. They're traveling from California to Israel.

No rest for the batty, however... we're starting the whole process again with All Hallows' Evil. I've sent out six acceptances so far and will be sending more in the near future.

Changes I'm making:

  • There's a bigger gap in time from ordering the print copies to receiving the books than suggested by our printer. We'll allow for that in our schedule.
  • I've begun making changes to the guidelines. There are three things our guidelines are supposed to accomplish: identify the type of story we want to publish, make the stories easier for me to read, and facilitate formatting for print and e-books. The last is the most difficult.
  • Some booksellers only allow you to submit 20 names max as contributing authors. I was annoyed that we couldn't list all of Strangely Funny's authors, and they weren't pleased about it either. We will probably limit the number of authors we accept per anthology until that changes. Otherwise, I have to ask someone to be selfless or choose whom to leave out. Neither is a particularly satisfactory option.

Gwen and I are already discussing what anthologies we'll be publishing next year. We haven't made many decisions yet, but one of them will be Strangely Funny 2. Reading the stories and interviewing the authors was too much fun to only experience once.




Friday, August 09, 2013

Win a Free Print Copy of Strangely Funny

Okay, so I've yapped about Strangely Funny all week. I've introduced you to several of the authors, and Gwen has even posted samples from the book.

Right now, you can get a copy for free. Ted Wenskus has done a great audio recording of his story, "Down for the Count". We're going to send a free copy of the book to one of the commenters on the YouTube page. If you've already ordered a copy or downloaded one (thank you), why not pass the info on to a friend?

The drawing is this weekend, so hurry!

Thursday, August 08, 2013

Strangely Funny Authors: Meet Ken MacGregor!

Demons yesterday, fairies today. Meet Ken MacGregor, author of "Jake Blossom, Pixie Detective".

Q. What gave you the idea for creating a new genre: fae noir?

I originally wrote this for a sketch comedy show, though it never made it to the stage. I loved the idea of a tough, gritty private eye who was two feet tall (2', 3", dammit!) with wings. It worked much better as a short story. Incidentally, I am floored to be credited with creating a genre. I'd love to see a Fae Noir anthology someday.

Q. What got you interested in writing the genres you normally write in, which are much darker?

I started watching horror movies when I was barely pubescent, for the nudity. My mother wouldn't watch horror, so I never had to worry about getting caught. However, somewhere along the line, I fell in love with horror. I love the visceral response invoked by fear - my own, but yours, too.

Q. What is your current project? Tell us a little about it.

I have a few in the works: a Bizarro story, a zombie clown story, a western horror. An anthology of my work is also forthcoming from Siren's Call Publications. The working title is An Aberrant Mind.

Q. What makes you so sexy?

I can't think of a way to answer this that doesn't make me sound like an egomaniac, so I'm just gonna say "thank you."

Q. We know you're an author. What do you enjoy reading?

I love a good story. I'm a total book whore, and will read anything well-written. If it's really good, I'll read it again. I'm particularly impressed by Neil Gaiman, Gillian Flynn and Joe Hill. There are also many fine storytellers among my peers. Too many to name drop, but I think they already know who they are.

Can I also say, though you didn't ask specifically, that I love doing this? It is so exciting to me, to make a connection to a reader. To make someone laugh, or shudder or go "no way!" is so cool. To get paid for it is even better, but really, that's just gravy.

Thanks for talking with us!

Ken doesn't have a blog right now, but he does have an author page on Facebook. I suggest 'liking' it.

Read Ken's story and many more in Strangely Funny, now available in print, Kindle, and other e-book formats.

Wednesday, August 07, 2013

Strangely Funny Authors: Meet David Seigler


Today, we're meeting David Seigler, author of "If You Can't Trust a Rhyming Demon, Can You Trust a Demon not to Rhyme?" It's an amusing (and occasionally rhyming) study of human nature. Plus, it has a very engaging demon.

Q. What inspired your notion of a four-foot tall demon who could compose quatrains and haiku on the fly?

The demon was inspired by my Cocker Spaniel, who is not only quite short, but also an evil poet at heart. She spends her time lying in the floor, composing verse and thinking up ways to cause bodily mischief upon anyone foolish enough to come near her. I think she’s already determined the best way to take over the world and she knows it involves the internet. Frankly, we’re all just lucky she keeps getting distracted by pictures of cats.

Q. Tell us about Ground Zero Comics.

Ground Zero Comics is the comic store I opened some twenty years ago at the urging of my therapist. He said I needed something to invest myself in but somehow I misinterpreted his advice to mean that I just wasn't losing enough money in the career that I was in at that time. So I looked around for the most demanding, least financially rewarding occupation I could find and a comic book store seemed to fit the bill. Twenty years later, I can safely say that I haven’t been the least bit disappointed.

Q. What is your current project? Tell us a little about it.

It’s a tender coming of age story about a boy who adopts a deadly snake believing it is the reincarnation of his dead mother. I really hate snakes, so I've been trying to avoid writing it.  I can’t afford therapy anymore so I may have to just finish it and move on.

Q. Can you tell us a little bit about your writing process?

My writing process is very structured. I form an extensive outline and meticulously plot out every move my characters make with a specific outcome in mind. Then when I start the final draft my characters take over and do what they damn well please, which invariably has absolutely nothing to do with what I intended to write. My characters are all like children and I don’t mean that in a good way. They’re petulant and defiant and generally determined to show me who’s in charge (hint: it’s not me). I've tried holding out and not finishing a story until they did what I wanted them to, but in the end they’re always stronger than I am.

Q. We know you're an author. What do you enjoy reading?

Many years ago I attended a lecture by Kurt Vonnegut. I had read a handful of his novels, but I left the lecture determined to read every one of his books. There is something incredibly audacious about his writing. I find that when I describe one of his stories it comes out sounding awful, but his genius is that he makes it work in a way that seems perfectly obvious. Of course right now my own writing has not even a hint of his audaciousness, but I think the reason I keep plugging away is because I hope that at some point it will force me to lose my own inhibitions.
Ultimately the biggest thing I got from Vonnegut was this basic tenet that runs through his work: If you can’t see the absurdity in life, you’re just not paying attention.

Thanks for talking to us today!

Learn more about David Seigler and his projects at http://davidseigler.wordpress.com/ . You might also be interested in learning more about his store, Ground Zero Comics.

And don't forget: Strangely Funny is now on sale in printKindle, and other email formats.


Tuesday, August 06, 2013

Profile: Norman A. Rubin

Norman A. Rubin
Norman A. Rubin was the first person to send a submission to Strangely Funny. He not only sent one submission, he sent four over the following weeks. From Israel. I was curious, and looked him up online. Mr. Rubin authored several articles that focus on mythology and Near East archaeological subjects, topics I find very interesting. Back during the reign of Kurt Cobain, I was a classical languages student at the University of Kentucky. Didn't finish the degree, but I didn't lose the interest. He'd been published in Archaelogy and Minerva. Now, he was retired, and had turned his hand to fiction.

I sent him an acceptance for "Aunt Bessie and the 'It'", a story I found charming and quite suited to the theme of the anthology. There was another story I particularly liked, but I'd already accepted a story with a similar subject. When I sent the rejection message, I suggested he resubmit it if an appropriate antho opened.

Then I waited. And waited. I wondered if he'd been offended by my last reject. I also held off on my final rejection notices, since I might have an open slot and I didn't want to say 'no' any more times than I had to.

Fortunately, I heard back from his wife. Mr. Rubin was ill, but she would get his permission to print his story for me. I thanked her.

The permission came through, and "Aunt Bessie" appears in the book. I didn't know until recently if I would hear from Mr. Rubin again. I got my answer last week. We're still open for one anthology this year, and I got a submission from him.

Make that two.


Learn more about Norman A. Rubin from his profile at New Myths. You can see some of his nonfiction works at Esra Magazine. He also has an amusing story at Scissors & Spackle.

And don't forget to read his current tale: Strangely Funny is now on sale in print, Kindle, and other email formats.




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